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The whole space was full of every single vinyl of every single genre of music you could imagine it.It was a house full of music and dedicated to making music and listening to music.

Almost 40 years after he joined Sex Pistols as Johnny Rotten, Lydon became the face of Country Life butter in a television ad that saw him leaping around fields with cows extolling the great taste of the British brand.Virgin Money has announced a line of Sex Pistols-branded credit cards that will feature art work from the band’s records: 'Never Mind The Bollocks' and 'Anarchy In The UK'.Michele Greene, the director of cards at Virgin Money said that this was because the Sex Pistols "challenged convention and established ways of thinking – just as we are doing today in our quest to shake up UK banking". When Virgin Records first signed the Sex Pistols in 1977 they struggled to get their single 'God Save the Queen' pressed after workers at the pressing plant refused to press the record because of the song’s lyrics.His Mrs is an interior decorator and she had lots of 1970s mirrored furniture, the stuff that we might have had in our living room. He was telling me about how Simon Cowell had asked him to be a judge on X Factor and as much as I knew he would never say “yes” to that, I thought he would be amazing because he’s so sharp. Sometimes when you go to [rock stars’] houses you don’t want it to look too much like “at home with Noel Gallagher”, so it’s still trying to make it look cool and not too relaxed.Probably the worst thing you can do is take a photograph against a mirror, but that’s what we did there. It was really weird taking this picture; it felt like a test.He struck me as being so intelligent, such a character, mad but just amazing, that you’d want to listen to him all day. When I was taking pictures of Johnny Marr I could have chatted to him for ages, he was so interesting and passionate. Some of these people really strike you – you know why they’re so brilliant at what they do. I didn’t know he called his son Nile because he loves Nile Rodgers.He was talking to me about the first guitar he got. Since knowing that, I thought how I can hear the influences.I came away thinking that he was the most brilliant man I’ve ever met in my life, and really inspiring. He was playing that night with Nile Rodgers at the Brits aftershow party.I started working with the Stereophonics when their first album was out and they were so much fun, really loud sweary Welsh boys; I used to go on the road to do editorials for Kerrang! I’ve been to lots of tiny venues, taken tour-bus photographs, all very fly-on-the-wall, and I did the cover for their second album, Performance and Cocktails, which is an image of a couple kissing – it’s quite a well-known shot.He told us when we got there that he’d been analysing the binary code of music and sound. I didn’t want to go to him if he was poorly and I knew he was well and doing a lot of stuff.He’s had the most amazing year – he was given six months back when I met him and shot him.

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