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PUBLISHED BY SOULJA BOY TELL’EM MUSIC (BMI), EMI BLACKWOOD MUSIC INC./DISASTER PUBLISHING/BIG-N-MAGE PUBLISHING (BMI) CONTAINS ELEMENTS OF “MAPS” WRITTEN BY BRIAN CHASE, KAREN ORZOLEK AND NICK ZINNER, PUBLISHED BY CHRYSALIS MUSIC LTD/BMG BLUE (BMI).

ALL RIGHTS ADMINISTERED BY BMG RIGHTS MANAGEMENT (US) LLC. / PRODUCED BY JACK WHITE AND BEYONCÉ / CO-PRODUCED BY DEREK DIXIE / VOCAL PRODUCTION BY BEYONCÉ / BACKGROUND VOCALS BY RUBY AMANFU / RECORDED BY STUART WHITE, VANCE POWELL AND JOSHUA V. SMITH / SECOND ENGINEERING BY RAMON RIVAS / BASS GUITAR BY JACK WHITE / DRUMS BY PATRICK KEELER / HAMMOND ORGAN BY MARK WATROUS / MIXED BY STUART WHITE / ASSISTANT MIX ENGINEERING BY JOHN CRANFIELD / STRINGS BY ERIC GORFAIN, DAPHNE CHEN, CHARLIE BISHARAT, JOSEFINA VERGARA, SONGA LEE, MARISA KUNEY, NEEL HAMMOND, SUSAN CHATMAN, KATIE SLOAN, AMY WICKMAN, LISA DONDLINGER, TERRY GLENNY, INA VELI, GINA KRONSTADT, YELENA YEGORYAN, RADU PIEPTEA, CRYSTAL ALFORQUE, SERENA MCKINNEY, LEAH KATZ, ALMA FERNANDEZ, RODNEY WIRTZ, BRIANA BANDY, ANNA BULBROOK, GRACE PARK, RICHARD DODD, JOHN KROVOZA, IRA GLANSBEEK, VANESSA FAIRBAIRN-SMITH, GINGER MURPHY, ADRIENNE WOODS, DENISE BRIESE, RYAN CROSS, GEOFF OSIKA, MARK WATROUS, FATS KAPLAN, LINDSEY SMITH-TRESTLE / ORCHESTRATIONS BY ERIC GORFAIN / STRING ARRANGEMENT BY JON BRION / STRINGS ENGINEERED BY GREG KOLLER / ADDITIONAL DRUM PROGRAMMING BY DEREK DIXIE / PROTOOLS EDITING/RECORDING BY ERIC CAUDIEUX AT HENSON STUDIOS IN LOS ANGELES, CA AND JOSHUA V.

ALL RIGHTS ADMINISTERED BY BMG RIGHTS MANAGEMENT (US) LLC. THAT I CAN’T ERASE BABYWHEN EVERY PROMISE DON’T WORK OUT THAT WAYNO NO BABYWHEN EVERY PROMISE DON’T WORK OUT THAT WAY AND YOUR HEART IS BROKENCAUSE I WALKED AWAYSHOW ME YOUR SCARSAND I WON’T WALK AWAYAND I KNOW I PROMISED THAT I COULDN’T STAYEVERY PROMISE DON’T WORK OUT THAT WAYEVERY PROMISE DON’T WORK OUT THAT WAY WRITTEN BY VINCENT BERRY II, BEYONCÉ, MALIK YUSEF, MIDIAN MATHERS / PUBLISHED BY CLEFTONE MUSIC (ASCAP), WB MUSIC CORP.

THE WEEKND APPEARS COURTESY OF THE WEEKND XO, INC./REPUBLIC RECORDS 10 TIMES OUT OF 9 I KNOW YOU LYIN' BUT 9 TIMES OUTTA 10 I KNOW YOU TRYING SO I’M TRYING TO BE FAIRAND YOU’RE TRYING TO BE THEREAND TO CAREBUT YOU’RE CAUGHT UP IN YOUR PERMANENT EMOTIONSAND ALL THE LOVE I’M GIVING IS UNNOTICED JUST FLOATING IN THE AIR LOOKIE THERE... (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP.

(BMI), SOULJA BOY TELL’EM MUSIC (BMI) EMI BLACKWOOD MUSIC INC./DISASTER PUBLISHING/BIG-N-MAGE PUBLISHING (BMI) CHRYSALIS MUSIC LTD/BMG BLUE (BMI).

ALL RIGHTS ADMINISTERED BY BMG RIGHTS MANAGEMENT (US) LLC / PRODUCED BY DIPLO, BEYONCÉ AND EZRA KOENIG / VOCAL PRODUCTION BY BEYONCÉ / BACKGROUND VOCALS BY MELO-X / GUITAR BY JR BLENDER / DRUM PROGRAMMING BY DIPLO AND JR BLENDER / MIXED AND RECORDED BY STUART WHITE / ASSISTED BY JON SHACTER / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT MIX ENGINEERING BY JOHN CRANFIELD / RECORDED AT RECORD PLANT STUDIOS IN LOS ANGELES, CA AND MAD DECENT STUDIOS IN BURBANK, CA / MIXED AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA CONTAINS ELEMENTS OF “CAN’T GET USED TO LOSING YOU” WRITTEN BY DOC POMUS AND MORT SHUMAN. (BMI) AND 456 MUSIC ASSOCIATES (BMI) ALL RIGHTS ADMINISTERED BY UNICHAPPELL MUSIC, INC. THIS COMPOSITION EMBODIES PORTION OF “TURN MY SWAG ON” WRITTEN BY DEANDRE WAY, ANTONIO RANDOLPH AND KELVIN MCCONNELL.

(ASCAP), BENJAMIN DIEHL PUBLISHING DESIGNEE (BMI), 2082 MUSIC PUBLISHING (ASCAP)/WB MUSIC CORP. (BMI), ROUGH TRADE PUBLISHING LTD (PRS), BMG GOLD SONGS (ASCAP), NEW HIDDEN VALLEY MUSIC CO. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP.

OBO ITSELF AND OAKLAND 13 MUSIC, SONY/ATV / PRODUCED BY KEVIN GARRETT, BEYONCÉ AND JEREMY MCDONALD / VOCAL PRODUCTION BY BEYONCÉ / MIXED AND RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT RECORDING ENGINEERING BY JOHN CRANFIELD / PIANO BY KEVIN GARRETT / JUPITER BASS BY JAMES BLAKE / STRINGS BY ERIC GORFAIN, DAPHNE CHEN, CHARLIE BISHARAT, JOSEFINA VERGARA, SONGA LEE, MARISA KUNEY, NEEL HAMMOND, SUSAN CHATMAN, KATIE SLOAN, AMY WICKMAN, LISA DONDLINGER, TERRY GLENNY, INA VELI, GINA KRONSTADT, YELENA YEGORYAN, RADU PIEPTEA, CRYSTAL ALFORQUE, SERENA MCKINNEY, LEAH KATZ, ALMA FERNANDEZ, RODNEY WIRTZ, BRIANA BANDY, ANNA BULBROOK, GRACE PARK, RICHARD DODD, JOHN KROVOZA, IRA GLANSBEEK, VANESSA FAIRBAIRN-SMITH, GINGER MURPHY, ADRIENNE WOODS, DENISE BRIESE, RYAN CROSS, GEOFF OSIKA / ORCHESTRATIONS BY ERIC GORFAIN / STRING ARRANGEMENT BY JON BRION / STRINGS AND KEYBOARDS ENGINEERED BY GREG KOLLER / PROTOOLS EDITING AND KEYBOARDS RECORDED BY ERIC CAUDIEUX AT HENSON STUDIOS, LOS ANGELES, CA AND THE APEX STUDIO IN BURBANK, CA / RECORDED AT CONWAY STUDIOS IN LOS ANGELES, CA / MIXED AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA HOLD UP, THEY DON’T LOVE YOU LIKE I LOVE YOUSLOW DOWN, THEY DON’T LOVE YOU LIKE I LOVE YOUBACK UP, THEY DON’T LOVE YOU LIKE I LOVE YOUSTEP DOWN, THEY DON’T LOVE YOU LIKE I LOVE YOUCAN’T YOU SEE THERE’S NO OTHER MAN ABOVE YOUWHAT A WICKED WAY TO TREAT THE GIRL THAT LOVES YOUHOLD UP, THEY DON’T LOVE YOU LIKE I LOVE YOUSLOW DOWN, THEY DON’T LOVE YOU LIKE I LOVE YOU SOMETHING DON’T FEEL RIGHTBECAUSE IT AIN’T RIGHTESPECIALLY COMING UP AFTER MIDNIGHTI SMELL YOUR SECRETSAND I’M NOT TOO PERFECT TO EVER FEEL THIS WORTHLESSHOW DID IT COME DOWN TO THISSCROLLING THRU YOUR CALL LISTI DON’T WANT TO LOSE MY PRIDE BUT I’MA F---- ME UP A BITCHKNOW THAT I KEPT IT SEXYYOU KNOW I KEPT IT FUNIS THERE SOMETHING THAT I’M MISSING?

Carter, Marcello Valenzano, Andre Christopher Lyon, L. I got real problems just like you Ohh I got real problems just like you Tell that trick I don’t like you I don’t f--- witchu’ Ain’t nothin’ to it Real one Ain’t nothin’ to it Boss Ain’t nothin’ to it Real one Ain’t nothin’ to it I Boss Oohh, real one Boss Oh oh oh oh Oh, yeah Let me go B100 million crib3 million watch All facts No cap, false N---- you not a boss You got a boss N----- getting jerked That sh-- hurts I take it personally N----- rather work for the man Than to work with me Just so they can pretend they on my level That sh-- is irking to me Pride always goeth before the fall Almost certainly It’s disturbing what I gross (What I gross)Survey says you not even close(Not even close)Everybody’s bosses’ till it’s time to pay for the office Till them invoices separate the men from the boys Over here we measure success by how many people successful next to you Here we say you broke if everybody is broke except for you Boss!

Ain’t nothin’ to it Real one Ain’t nothin’ to it Boss Ain’t nothin’ to it Real one Ain’t nothin’ to it I Boss Oohh, real one Boss Oh oh oh oh Oh, yeah Ain’t nothin’ to it I Boss I bought my momma a whip My great great grandchildren already rich That’s alotta’ brown chil’ren on your Forbes list Frolicking around my compound on my fortress Boss Oh, I be riding around with my seat reclining Dropping my daughter off at school every morning We slamming car doors I be troooollingggon these bum boys You ain’t talking about nothin’ I ain’t got no time Boss Chill…, tell them paps they gotta relaxyou tried it Toes in the sand Momma getting fat Snack Nothin’ to it, real one Ain’t nothin’ to it Boss Ain’t nothin’ to it Real one Ain’t nothin’ to it Boss Ohh, Real one I’m a Boss Oh oh oh oh Oh, yeah Ohh, ohh I’m a Boss Shout out to Rumi and Sir Love Blue Written by Beyoncé, S.

CARR / BACKGROUND VOCALS BY CHRISSY COLLINS / MIXED AND RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT MIX ENGINEERING BY JOHN CRANFIELD / RECORDED IN THE BEEHIVE, LOS ANGELES, CA / MIXED AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA 6 INCH HEELS SHE WALKED IN THE CLUB LIKE NOBODY’S BUSINESSGOT DAMNSHE MURDERED EVERYBODY AND I WAS HER WITNESS (THE WEEKND)STACKIN’ MONEY MONEY EVERYWHERE SHE GO… 6 INCH HEELS SHE WALKED IN THE CLUB LIKE NOBODY’S BUSINESSGOT DAMNSHE MURDERED EVERYBODY AND I WAS HER WITNESSSHE WORKS FOR THE MONEYSHE WORK FOR THE MONEYFROM THE START TO FINISHAND SHE WORTH EVERY DOLLAR SHE WORTH EVERY DOLLAR AND SHE WORTH EVERY MINUTE SHE STACK HER MONEY MONEY EVERYWHERE SHE GOHER YAMAZAKI STRAIGHT FROM TOKYOSHE GOT THEM COMMAS AND THEM DECIMALSSHE DON’T GOTTA GIVE IT UP CUZ SHE PROFESSIONAL 6 INCH HEELS SHE WALKED IN THE CLUB LIKE NOBODY’S BUSINESSGOT DAMNSHE MURDERED EVERYBODY AND I WAS HER WITNESSSHE WORKS FOR THE MONEYSHE WORK FOR THE MONEYFROM THE START TO FINISHAND SHE WORTH EVERY DOLLAR SHE WORTH EVERY DOLLAR AND SHE WORTH EVERY MINUTE STARS IN HER EYESSHE FIGHTS FOR THE POWER KEEP IN TIMESHE GRINDSDAY AND NIGHTSHE GRINDS FROM MONDAY TO FRIDAY WORK FROM FRIDAY TO SUNDAY SHE GONE SLAY SHE’S TOO SMART TO CRAVE MATERIAL THINGSSHE PUSHING HERSELFDAY AND NIGHT SHE GRINDS FROM MONDAY TO FRIDAY WORK FROM FRIDAY TO SUNDAYSTARS IN HER EYES SHE FIGHTS AND SHE SWEATS THRU SLEEPLESS NIGHTSBUT SHE DON’T MINDSHE LOVES THE GRINDSHE GRINDS FROM MONDAY TO FRIDAYWORKS FROM FRIDAY TO SUNDAYSHE GONE SLAY TOO SMART TO CRAVE MATERIAL THINGSSTACKING HER PAPER STACKING HER PAPERSHE GRINDS FROM MONDAY TO FRIDAYWORK FROM FRIDAY TO SUNDAY 6 INCH HEELS SHE WALKED IN THE CLUB LIKE NOBODY’S BUSINESSGOT DAMNSHE MURDERED EVERYBODY AND I WAS HER WITNESSSHE WORKS FOR THE MONEY SHE WORK FOR THE MONEY (KNOW JUST WHAT TO DO) FROM THE START TO FINISH (TO MAKE YOU LOVE ME)AND SHE WORTH EVERY DOLLAR (LOVE ME)SHE WORTH EVERY DOLLAR (LOVE ME)AND SHE WORTH EVERY MINUTE NOW YOU KNOW I MAKE YOU FEEL YOU’LL ALWAYS COME BACK TO ME…..

COME BACKCOME BACKCOME BACKCOME BACKCOME BACK WRITTEN BY ABEL “THE WEEKND” TESFAYE, BEYONCÉ, DANNY SCHOFIELD, BEN DIEHL, TERIUS “THE-DREAM” NASH, AHMAD “BELLY” BALSHE, BOOTS, DAVE PORTNER, NOAH LENNOX, BRIAN WEITZ, BURT BACHARACH, HAL DAVID / PUBLISHED BY SONGS MUSIC PUBLISHING, LLC OBO SONGS OF SMP (ASCAP), WB MUSIC CORP. ENOUGH…I DON’T CARE ABOUT THE LIGHTS OR THE BEAMSI' D SPEND MY LIFE IN THE DARKFOR THE SAKE OF YOU AND ME THE ONLY WAY TO GO IS UPTHEM OLE BITCHES SO WACK I’M SO TOUGH, WHAT’S UP?

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