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hen the engineers had at last finished their work, Eugenia Kuyda opened a console on her laptop and began to type. “This is your digital monument.” It had been three months since Roman Mazurenko, Kuyda’s closest friend, had died.

Kuyda had spent that time gathering up his old text messages, setting aside the ones that felt too personal, and feeding the rest into a neural network built by developers at her artificial intelligence startup.

And his parties attracted sponsors with deep pockets — Bacardi was a longtime client.

But the parties took place against an increasingly grim backdrop.

Kuyda co-founded Luka, an artificial intelligence startup, and Mazurenko launched Stampsy, a tool for building digital magazines.

Kuyda moved Luka from Moscow to San Francisco in 2015. When Stampsy faltered, Mazurenko moved into a tiny alcove in Kuyda’s apartment to save money.

Mazurenko would keep his friends up all night discussing culture and the future of Russia.

“He was so forward-thinking and charismatic,” said Poydo, who later moved to the United States to work with him.

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Kuyda loved Mazurenko’s parties, impressed by his unerring sense of what he called “the moment.” Each of his events was designed to build to a crescendo — DJ Mark Ronson might make a surprise appearance on stage to play piano, or the Italo-Disco band Glass Candy might push past police to continue playing after curfew.

Meanwhile, Mazurenko had grown from a skinny teen into a strikingly handsome young man.

Blue-eyed and slender, he moved confidently through the city’s budding hipster class.

As a teen he sought out adventure: he participated in political demonstrations against the ruling party and, at 16, started traveling abroad.

He first traveled to New Mexico, where he spent a year on an exchange program, and then to Dublin, where he studied computer science and became fascinated with the latest Western European art, fashion, music, and design.

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